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Michael Bluth, a widower with a 13-year-old son, named George-Michael, is forced to keep his large and dysfunctional family together after his father is arrested for shifty accounting practices at the family-owned conglomerate and the Bluth family assets are frozen, making each member of the eccentric family panic. Michael's snobbish mother, Lucille, finds herself living alone in a penthouse without the financial means to maintain it, while Michael's two brothers, GOB and Buster, and his sister Lindsay with her husband Tobias and her daughter Maeby also find themselves having to recreate their lifestyles to fit their new financial status.
The adventures of the U.S.S. Enterprise, representing the United Federation of Planets on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no man has gone before. The Enterprise is commanded by handsome and brash Captain James T. His First Officer and best friend is Mr. Spock from the planet Vulcan, and Kirk's Medical Officer is Dr. With its crew of approximately 430, the Enterprise battles aliens, megalomanical computers, time paradoxes, psychotic murderers, and even Genghis Khan! Rod Serling's distinctive approach gave 'The Twilight Zone' a unique character that will always keep it among the best-remembered of all classic television shows.
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Not only that, but it set high goals for itself, and it took a lot of chances - and not chances in the phony, trivial sense in which a lot of more recent series 'take chances' by resorting to unnecessarily provocative or indecent material that actually guarantees them attention and acclaim.' The Twilight Zone' took chances by experimenting with many different kinds of stories and material, and by aiming to provide high-quality entertainment while simultaneously giving you something to think about. As a result, there were a few episodes that didn't quite click, and that seem odd or even dull. But when it worked - as it did a great deal of the time - no television show then or now was more imaginative.In a short review, it would be impossible to list all of the memorable episodes, or even to cover the full range of the kinds of material that it used. There were chilling episodes like 'To Serve Man', which is often remembered by those who saw it decades ago, and there were thought-provoking episodes like 'In the Eye of the Beholder', which was also imaginatively filmed.Many episodes relied primarily on a well-written and well-conceived story, while others, like 'The Invaders', relied heavily on excellent acting performances (in that case, by Agnes Moorehead).
There were occasional light-hearted episodes like 'Once Upon a Time', which was also a nice showcase for the great Buster Keaton.It's too bad that these anthology-style series went out of fashion, because a number of them were of high quality. This one, in particular, stands well above its subsequent imitators.
The best science fiction, like the best of any genre or art form, appeals to the imagination, not to the senses, and imagination is what 'The Twilight Zone' was all about. What we have here is a very interestingly rendered modern version of Holmes' first appearance, A Study in Scarlet, in which he meets Watson, they take the rooms in Baker Street and successfully investigate a series of murders.The story is rarely adapted for two reasons.The first is that the murders don't make sense without the dull, rambling back story which no one wants to dramatise. The Valley of Fear has hardly ever been dramatised for the same reason.The second is that this is Conan Doyle's first attempt and he introduced significant character changes to both Holmes and Watson in the short stories.
Holmes, in A Study in Scarlet, is rather more deranged, more like Cumberbatch's Holmes than Brett's, much more an aggressive, painful thorn in the side of the police rather than the unseen assistant of later stories.So people who haven't read the book or have only seen Holmes on screen need to give this a bit of time. 21C technology aside, it's actually quite a faithful adaptation, even though they ditched the back story and gave the murderer another, more credible motive.Knowledge of the original isn't at all necessary, but it does change the viewpoint. While some were congratulating themselves on beating Holmes to the punch in spotting the profession of the murderer, readers of the original were being conned into believing that his next victim was going to be the American he was driving (the victims in the original are all American). In the original, the word 'Rache' appears at the crime scene, also in an empty house in Lauriston Gardens, written in blood. The police jump to the conclusion that the victim was trying to write the word 'Rachel'. Holmes knows that 'Rache' is German for revenge. Moffat turns it neatly and humorously around.
In the original it's a red herring, in the new version, it's a vital clue. These riffs on the original abound and are almost always imaginative and amusing and often more than that.
Mycroft as Sherlock's Big Brother, for example.Moffat and Gatiss treat the characters with all the loving respect that an author could wish for and serve up an adaptation which re-imagines everything that Conan Doyle put into his plots and yet delivers something very close to to their original purpose and effect. Holmes and Watson are products of their time, as they should be, but they are recognisably the descendants and inheritors of the originals. The baby is still gurgling happily in the bathwater.There's a lot more here than initially meets the eye and I have a sneaky feeling it'll get better.
Set in Baltimore, this show centers around the city's inner-city drug scene. It starts as mid-level drug dealer, D'Angelo Barksdale beats a murder rap. After a conversation with a judge, Det.
James McNulty has been assigned to lead a joint homicide and narcotics team, in order to bring down drug kingpin Avon Barksdale. Avon Barksdale, accompanied by his right-hand man Stringer Bell, enforcer Wee-Bey and many lieutenants (including his own nephew, D'Angelo Barksdale), has to deal with law enforcement, informants in his own camp, and competition with a local rival, Omar, who's been robbing Barksdale's dealers and reselling the drugs.
The supervisor of the investigation, Lt. Cedric Daniels, has to deal with his own problems, such as a corrupt bureaucracy, some of his detectives beating suspects, hard-headed but determined Det. McNulty, and a blackmailing deputy. The show depicts the lives of every part of the drug 'food chain'.
The subtitle of the series is not an exaggeration; it has a literal meaning: This is indeed our planet as 'never seen before'. Right from the outset you are witnessing the most amazing pictures modern technology has ever produced: Views from space, but close enough so we may see the glorious beauty of specific regions of our home planet. Birds of paradise of such beauty that can convince you this is the real paradise and you need not ask for anything more; All the creatures are filmed in unique settings and situations (a polar bear with two cubs emerging from their den as spring comes and gliding down a snow covered slope, the strategic genius of wild dogs encircling a herd of impalas, rare views of a snow leopard and her cub, a white shark in chase of a seal bursting completely out of the sea and hanging in the air for a second and hundreds of other breath-taking shots. Feeling happy for the gift you are given and the next moment plunged in bitter thoughts about how unbelievably brutally has mankind treated it. My rating: Definitely 10/10.
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